http://billy-blin.livejournal.com/ (
billy-blin.livejournal.com) wrote in
trans_92010-01-30 11:55 pm
Entry tags:
Getting by on handouts [Open]
It seemed weird to think about it, but ever since arriving on the Meatship, Will hadn't really spent any time just...working. He'd taken the time to walk around, he'd met people, given some good advice (and lots of bad), tried to do well by people, but he hadn't taken the time to do what he did best; relax.
It was odd that even with the threat of dreams looming over them all, people were still...functioning; their worlds were dead, they were being driven into a war, and they had next to nothing, but they kept going. They weren't in the best moods, their tension had all gone through the roof, but they were surviving. And it was time for him to do his big as well.
He found a nice spot in the middle of the city park and sat down with his back against a large fountain with his guitar across his legs. He'd played a little, but not enough. This was who he was more than his powers. He may have been told he had a destiny in the celestial war, and he'd also been told he was to fight for all the multiverse against...whatever they were, but this was his real calling; busking.
It was a quick few minutes tuning up Ria, his old sixstring, before he set his hat down in front of him (habit more than anything, that) and began to pluck out a tune he'd known for years and always found appealing. After a minute or two to warm up, he began to sing a bit as well, lost in his own little world.
"Travailler c'est trop dur
et voler c'est pas beau
d'mander la charité
c'est qu'que chose j'peux pas faire
chaque jour que moi je vis
on m' demande de quoi je vis
j' dis que j' vis sur l'amour
et j'espère de viv' vieux.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
I’ll pick up this old box
run my fingers down the row.
I’ll play a tune or two
let the dancers come and go.
For this life’s too sweet and short
to leave it sad my friend
There’s no time for tears and sorrow,
let’s go dancing to our end.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
If I end up playing gigs
every night and every day,
any pub or any club
that will let me sing away.
I might think to myself
is this what i want to do
but I think I know the answer
when I sing and I look at you.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die."
He stopped playing after the song and took a long sigh. He smiled, his mind back where it belonged, and began to play again.
It was odd that even with the threat of dreams looming over them all, people were still...functioning; their worlds were dead, they were being driven into a war, and they had next to nothing, but they kept going. They weren't in the best moods, their tension had all gone through the roof, but they were surviving. And it was time for him to do his big as well.
He found a nice spot in the middle of the city park and sat down with his back against a large fountain with his guitar across his legs. He'd played a little, but not enough. This was who he was more than his powers. He may have been told he had a destiny in the celestial war, and he'd also been told he was to fight for all the multiverse against...whatever they were, but this was his real calling; busking.
It was a quick few minutes tuning up Ria, his old sixstring, before he set his hat down in front of him (habit more than anything, that) and began to pluck out a tune he'd known for years and always found appealing. After a minute or two to warm up, he began to sing a bit as well, lost in his own little world.
"Travailler c'est trop dur
et voler c'est pas beau
d'mander la charité
c'est qu'que chose j'peux pas faire
chaque jour que moi je vis
on m' demande de quoi je vis
j' dis que j' vis sur l'amour
et j'espère de viv' vieux.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
I’ll pick up this old box
run my fingers down the row.
I’ll play a tune or two
let the dancers come and go.
For this life’s too sweet and short
to leave it sad my friend
There’s no time for tears and sorrow,
let’s go dancing to our end.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
If I end up playing gigs
every night and every day,
any pub or any club
that will let me sing away.
I might think to myself
is this what i want to do
but I think I know the answer
when I sing and I look at you.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die."
He stopped playing after the song and took a long sigh. He smiled, his mind back where it belonged, and began to play again.

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She was silent for a moment, her fingers cool against Rising Phoenix's gems.
"Music's...beautiful," she said softly. "And somehow it makes things better."
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She flushed at the memory and shook her head.
"There are no bugs here," she said quietly. "And I'm glad. I'm glad music can help like that."
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"I suppose it's the little things like that, not having bugs here, that may make this adventure worthwhile. Mind, I'd still rather be home with Toun. Poor dog must be going crazy by now, assumin' my world hasn't been destroyed. Then again, present company isn't half-bad, either."
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Her voice dropped a little.
"I like animals. They're good company. Honestly, I'd rather be home fixing tea with Gessu or yelling at him to stop trying to get some weird invention of his going. He was always banging something about and he was always so cheerful about it. But that's my brother for you. He was going to fix the world through this or that odd contraption. I hope he does it."
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The was a pause before he said anything else. It was weird.. whenever he opened his mouth to her, it felt forced. With every other person on the ship he'd talked to, words flowed, he had no problem saying whatever was on his mind (like when he met that poor Claudia girl... poor, poor girl), but with her it was like he was afraid to misstep. He played a reel to buy some time while he tried to think of what he should say, but it didn't help. So he gave up, and went with whatever he was thinking.
"You know, you've mentioned Gessu a few times now. Care to elaborate on him?"
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Kala let out a soft sigh.
"He's a good man, my brother. And he tries to do right by people. He got a Versity school for tinkers in Thaldis, last I heard. I was off world when he got accepted and couldn't request time off to attend his entrance. He got a communication device the last time I was able to get away from my studies, so we talk as often as we can. Gessu's got a gift with metal things, broken things. He...he fixes them good as new, sometimes better."
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It was okay.
"Even if my brother is gone," she said in a slightly strained voice. "Even if I never see him again, we're still connected. We're still part of each other."
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"There were a few people I relied on, a few people I've called family from time to time. But those bonds are different. There's family you choose, and family you're born with. The man I call my father, Jacob... I didn't meet him until I was fifteen. I consider Ronin my brother, and we've only know each other a few years. But that's the rub of it.. after ye've gone through hell together, ye come out as brothers. It's not the same, though." He was quiet for a second.
"I know, if ever I was in trouble, Ronin would have been there in a flash to help me. Just as I was for him. But that doesn't make us blood."
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The sad part is, he's not joking.
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he pauses.
"I've spoken to 'im three times; once when my powers activated, once when I died, and once just so he could tell me I'm not a total bloody failure."
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"It was nice of your god to tell you weren't a failure." Her voice was softer for a moment. "I don't think you're a failure, no matter what. If you're someone who helps train other people, then there's a reason for you to be here. Maybe your god sent you here to help people be ready for this war. Besides. You have a gift for music and playing that stringed thing. And you have made me smile with it."
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"The guy was raw power... Ronin tossed a power line around him, and I siphoned all his power out through one hand and sent it back with the other. That much energy not only killed me, but cost me the ability to use me hands for a good year. Sadly, that incident is what convinced the Maker to let there be a group of guides."
Blin laughed at her next comment and squeezed her hand. "I'm glad I could be here, then. Ye look much better with a smile on yer face."
...said the blind man...
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"I'm glad you are, too," she said quietly. "And how do you know I look any better with a smile than without?" It wasn't accusatory, but curious. Because for all she knew, he had a different way of seeing things. After all, they were from different universes. And he did make her smile, just a little, just at the corners of her lips.
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It was a bit of flattery, but it wasn't wrong. The way she bottled up her emotions, when one leaked out, the other leaked a bit with it. It was like a rainbow just trying to break free.
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"It's a present, then," she said. "Your...powers. And I like that you can see a smile like that."
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