http://billy-blin.livejournal.com/ (
billy-blin.livejournal.com) wrote in
trans_92010-01-30 11:55 pm
Entry tags:
Getting by on handouts [Open]
It seemed weird to think about it, but ever since arriving on the Meatship, Will hadn't really spent any time just...working. He'd taken the time to walk around, he'd met people, given some good advice (and lots of bad), tried to do well by people, but he hadn't taken the time to do what he did best; relax.
It was odd that even with the threat of dreams looming over them all, people were still...functioning; their worlds were dead, they were being driven into a war, and they had next to nothing, but they kept going. They weren't in the best moods, their tension had all gone through the roof, but they were surviving. And it was time for him to do his big as well.
He found a nice spot in the middle of the city park and sat down with his back against a large fountain with his guitar across his legs. He'd played a little, but not enough. This was who he was more than his powers. He may have been told he had a destiny in the celestial war, and he'd also been told he was to fight for all the multiverse against...whatever they were, but this was his real calling; busking.
It was a quick few minutes tuning up Ria, his old sixstring, before he set his hat down in front of him (habit more than anything, that) and began to pluck out a tune he'd known for years and always found appealing. After a minute or two to warm up, he began to sing a bit as well, lost in his own little world.
"Travailler c'est trop dur
et voler c'est pas beau
d'mander la charité
c'est qu'que chose j'peux pas faire
chaque jour que moi je vis
on m' demande de quoi je vis
j' dis que j' vis sur l'amour
et j'espère de viv' vieux.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
I’ll pick up this old box
run my fingers down the row.
I’ll play a tune or two
let the dancers come and go.
For this life’s too sweet and short
to leave it sad my friend
There’s no time for tears and sorrow,
let’s go dancing to our end.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
If I end up playing gigs
every night and every day,
any pub or any club
that will let me sing away.
I might think to myself
is this what i want to do
but I think I know the answer
when I sing and I look at you.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die."
He stopped playing after the song and took a long sigh. He smiled, his mind back where it belonged, and began to play again.
It was odd that even with the threat of dreams looming over them all, people were still...functioning; their worlds were dead, they were being driven into a war, and they had next to nothing, but they kept going. They weren't in the best moods, their tension had all gone through the roof, but they were surviving. And it was time for him to do his big as well.
He found a nice spot in the middle of the city park and sat down with his back against a large fountain with his guitar across his legs. He'd played a little, but not enough. This was who he was more than his powers. He may have been told he had a destiny in the celestial war, and he'd also been told he was to fight for all the multiverse against...whatever they were, but this was his real calling; busking.
It was a quick few minutes tuning up Ria, his old sixstring, before he set his hat down in front of him (habit more than anything, that) and began to pluck out a tune he'd known for years and always found appealing. After a minute or two to warm up, he began to sing a bit as well, lost in his own little world.
"Travailler c'est trop dur
et voler c'est pas beau
d'mander la charité
c'est qu'que chose j'peux pas faire
chaque jour que moi je vis
on m' demande de quoi je vis
j' dis que j' vis sur l'amour
et j'espère de viv' vieux.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
I’ll pick up this old box
run my fingers down the row.
I’ll play a tune or two
let the dancers come and go.
For this life’s too sweet and short
to leave it sad my friend
There’s no time for tears and sorrow,
let’s go dancing to our end.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
If I end up playing gigs
every night and every day,
any pub or any club
that will let me sing away.
I might think to myself
is this what i want to do
but I think I know the answer
when I sing and I look at you.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die."
He stopped playing after the song and took a long sigh. He smiled, his mind back where it belonged, and began to play again.

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"People die," she said. "People die when you aren't strong enough. I've watched it. I've killed them because of it." Her grip tightened and she shivered lightly. "I've killed people because I lost control, because I wasn't strong enough to stop the--" She shook her head. "It doesn't matter. It's not now. And it's now that matters. Right now. And you're right, I'm not alone. We can fight."
People are stronger together.
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"Ye aren't the only one with blood on yer hands. I'm personally responsible for over five thousand deaths. Some because I had to stop them from blowing up themselves, but most... 4,894 were killed by my hands. And it could have been even worse. But I'm better now. You are better now. Because we have to be. People are relying on us just as we rely on them."
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"...better now," she mumbled. "Best...can do...to make up for it. S'protect, help." It came out all muffled and stupid and-- Whatever. He'd understand, somehow.
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"I'm ready," she said quietly. "But I've been ready for a long time. I just didn't know where to walk."
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Farla used to say that a mage never entered battle without thinking first.
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"Lesson one; don't think. Ye need to analyze the opponent, true, but ye need to do it immediately. If ye find yerself in too much doubt, be prepared to spend some time hurting."
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Kala was moving then, sharply focused, as she attacked. Her movements were tighter than they should have been, but quick, and she backed her blow with the force of a shearing wind that gathered along her arms and radiated down the sword itself.
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So, you have the power to channel and transform energies, and someone's using magic against you in a fight. What do you do? Two options flashed into Blin's mind; one, take it like a man, get injured, and give up teaching before he even got started. That was a stupid plan. Two, change it into something useful. But what was useful here?
That was going to take some time to figure out. So, for now, he worked on instinct; divert the energy of the blade, let it slide to the side, use it to set her off balance, spin to kick out her legs.
Good times.
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There was no breeze this time, but there was cold.
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Light.
He spun his staff around to push a blow away, and gathered some of the magic she was pushing out. He pushed it through his hand, and spun his body around to divert another blow. On the follow through, he stuck his fist out into her face and let the energy go, converted into bright light. He used the chance to pop her on the back with his staff, hopefully sending her down again. If it worked.
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But she didn't give up. Instead, she used the air to find him again as was moving, her swings controlled sweeps as her vision started to filter back in. Kala shook her head, trying to clear her vision, and lunged, pure, driven focus, bent on taking him down. She lead with her shield, like a Paldin, like Matt had been teaching her, and even if she was a massive target for Mister Barlow as a mage, she'd give as good as she got.
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Maybe four. Five, max.
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She tried to push it down, her breath ragged and sharp from the effort.
This was sparring. He wasn't gong to kill her.
Kala felt the magic crackle over her skin and arc across her armor. Stop. She closed her eyes.
Stop.
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Luckily, this was exactly the sort of thing he was built for.
He breathed in deeply and focused on her aura, siphoning as much of the stray power out of it that he could do without seriously hurting himself and sending it into the sky as harmless light. Light was easy to turn energy into; it was a basic waveform and required no effort. The real effort was pulling it out of her without breaking down himself.
He could already feel his arms starting to blister again, his scars cracking back open the way only third degree burns can. He need to figure out how to put her down.
He needed time.
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The nightmare things.
And she was going to hurt him. This session? This session was done. Kala pulled back on it harder and heard Rising Phoenix burble as she tried to help. Her hair snapped and whipped in the wind as she let out a cry and then, like someone had flipped a switch, Kala toppled ungracefully and hit the ground hard. She said she'd never lose control again. She'd said that.
And Rising Phoenix knew she'd meant it.
Kala blinked, staring through tangles of her bright white hair, and felt the last rush of cool air float by like a sigh of relief. It was done and all the magic had been safely tucked away.
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"Are ye alright?" he said, his voice filled with genuine concern.
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I'm sorry, she said, trying to clamp down on the loudness of her mental voice, but it was definitely more of a raised-voice than a whisper, as usual. That. Shouldn't have happened. I'm okay. Or. I'll be okay in a few hours. There was a pause and a slight struggle as she tried to move again. ...are you okay?
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"Wait, did ye just speak in my mind? I didn't know you could do that."
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Stay still, she said, I don't know if this will work...but I have to try. It's my fault. She quietly, carefully mentally shoved at her Intelligent Device.
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He let out a small grunt, lifting her into the air. She was dead weight, but he'd hauled Ronin out of a battlefield before, Blin'd be damned if he couldn't manage a nineteen year old girl.
"I've had my fair share of run-ins with telepathy before.. Speaking into me mind isn't anything new. I'd do it meself if it didn't seem so bloody weird." He set out towards the bus at a slow pace; he didn't want to jar her too much. The way he saw it, this all happened because he pushed her too far. It was all his fault.
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I've only shut down like this once, she said after a long pause and a slight half doze. But I didn't. I didn't want to hurt you. And that was an important point, one her mental voice stressed.
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"Thank you. I'm sorry I pushed you so far... I'm sorry you needed to shut yerself down." There was honest remorse in his voice, and he didn't even try to hide it. "Rest, and I'll get ye back to the bus, alright?"
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