http://billy-blin.livejournal.com/ (
billy-blin.livejournal.com) wrote in
trans_92010-01-30 11:55 pm
Entry tags:
Getting by on handouts [Open]
It seemed weird to think about it, but ever since arriving on the Meatship, Will hadn't really spent any time just...working. He'd taken the time to walk around, he'd met people, given some good advice (and lots of bad), tried to do well by people, but he hadn't taken the time to do what he did best; relax.
It was odd that even with the threat of dreams looming over them all, people were still...functioning; their worlds were dead, they were being driven into a war, and they had next to nothing, but they kept going. They weren't in the best moods, their tension had all gone through the roof, but they were surviving. And it was time for him to do his big as well.
He found a nice spot in the middle of the city park and sat down with his back against a large fountain with his guitar across his legs. He'd played a little, but not enough. This was who he was more than his powers. He may have been told he had a destiny in the celestial war, and he'd also been told he was to fight for all the multiverse against...whatever they were, but this was his real calling; busking.
It was a quick few minutes tuning up Ria, his old sixstring, before he set his hat down in front of him (habit more than anything, that) and began to pluck out a tune he'd known for years and always found appealing. After a minute or two to warm up, he began to sing a bit as well, lost in his own little world.
"Travailler c'est trop dur
et voler c'est pas beau
d'mander la charité
c'est qu'que chose j'peux pas faire
chaque jour que moi je vis
on m' demande de quoi je vis
j' dis que j' vis sur l'amour
et j'espère de viv' vieux.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
I’ll pick up this old box
run my fingers down the row.
I’ll play a tune or two
let the dancers come and go.
For this life’s too sweet and short
to leave it sad my friend
There’s no time for tears and sorrow,
let’s go dancing to our end.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
If I end up playing gigs
every night and every day,
any pub or any club
that will let me sing away.
I might think to myself
is this what i want to do
but I think I know the answer
when I sing and I look at you.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die."
He stopped playing after the song and took a long sigh. He smiled, his mind back where it belonged, and began to play again.
It was odd that even with the threat of dreams looming over them all, people were still...functioning; their worlds were dead, they were being driven into a war, and they had next to nothing, but they kept going. They weren't in the best moods, their tension had all gone through the roof, but they were surviving. And it was time for him to do his big as well.
He found a nice spot in the middle of the city park and sat down with his back against a large fountain with his guitar across his legs. He'd played a little, but not enough. This was who he was more than his powers. He may have been told he had a destiny in the celestial war, and he'd also been told he was to fight for all the multiverse against...whatever they were, but this was his real calling; busking.
It was a quick few minutes tuning up Ria, his old sixstring, before he set his hat down in front of him (habit more than anything, that) and began to pluck out a tune he'd known for years and always found appealing. After a minute or two to warm up, he began to sing a bit as well, lost in his own little world.
"Travailler c'est trop dur
et voler c'est pas beau
d'mander la charité
c'est qu'que chose j'peux pas faire
chaque jour que moi je vis
on m' demande de quoi je vis
j' dis que j' vis sur l'amour
et j'espère de viv' vieux.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
I’ll pick up this old box
run my fingers down the row.
I’ll play a tune or two
let the dancers come and go.
For this life’s too sweet and short
to leave it sad my friend
There’s no time for tears and sorrow,
let’s go dancing to our end.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die.
If I end up playing gigs
every night and every day,
any pub or any club
that will let me sing away.
I might think to myself
is this what i want to do
but I think I know the answer
when I sing and I look at you.
Work's too bloody hard,
stealing isn't pretty.
Getting by on handouts
means getting by on pity.
Every day of my life
someone asks how I'll get by,
I say I'll live on love
and I hope to never die."
He stopped playing after the song and took a long sigh. He smiled, his mind back where it belonged, and began to play again.

no subject
Yeah, she could definitely get used to little moments like this particular one.
She listened through a few more songs, plenty pleased that somebody on this gorram boat knew how to have a decent time. Mal needed to come listen to this guy, she decided. Maybe it'd actually make him smile a bit.
For now, though, Kaylee finally gave her applause and walked up to the man. "Thanks, for sharin' with everybody."
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
And half dozed.
In the back of her mind, she was pretty sure she had something better to do. Like train. But her body had decided to take a slight vacation, and she had long perfected the semi-alert art of dozing, even if she hadn't meant to do anything other than listen to Mister Barlow's music.
no subject
no subject
There were no bugs.
There were no bugs here.
Just Mister Barlow and his music and that was okay. Kala's lips thinned and she pulled herself off the edge of the fountain to sit a little closer and a little safer. Just a little bit. And she wasn't going to sleep anymore, not if there were goo-bugs waiting for her.
"No one sang," she murmured in a sleepy voice. Kala didn't realize that she'd spoke aloud until she was already talking. "In my village, no one sang and the only time I ever heard music was when I went to Calis in the summer of my fifteen year. Singing was forbidden because. Because it could bring goo-bugs and other...other things."
no subject
no subject
She was silent for a moment, her fingers cool against Rising Phoenix's gems.
"Music's...beautiful," she said softly. "And somehow it makes things better."
no subject
no subject
She flushed at the memory and shook her head.
"There are no bugs here," she said quietly. "And I'm glad. I'm glad music can help like that."
no subject
"I suppose it's the little things like that, not having bugs here, that may make this adventure worthwhile. Mind, I'd still rather be home with Toun. Poor dog must be going crazy by now, assumin' my world hasn't been destroyed. Then again, present company isn't half-bad, either."
no subject
Her voice dropped a little.
"I like animals. They're good company. Honestly, I'd rather be home fixing tea with Gessu or yelling at him to stop trying to get some weird invention of his going. He was always banging something about and he was always so cheerful about it. But that's my brother for you. He was going to fix the world through this or that odd contraption. I hope he does it."
no subject
The was a pause before he said anything else. It was weird.. whenever he opened his mouth to her, it felt forced. With every other person on the ship he'd talked to, words flowed, he had no problem saying whatever was on his mind (like when he met that poor Claudia girl... poor, poor girl), but with her it was like he was afraid to misstep. He played a reel to buy some time while he tried to think of what he should say, but it didn't help. So he gave up, and went with whatever he was thinking.
"You know, you've mentioned Gessu a few times now. Care to elaborate on him?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
"William Barlow, Troubadour Extraordinaire. Known far and wide as Blin-Eyed Blin. Pleasure."
no subject
"Wags-Tail-A-Lot, better known as just Wags. Busker, Trickster, Scholar, and Werewolf."
no subject
"Hmm, redundant and oxymoronic. I like it. So, what do you play, Wags?" Blin smiled at him. It was always nice to meet another man of the craft... few people realized just what kind of network there was of buskers. Almost like the thieves guilds of yore, but they used their strings for garroting less often.