Howard Bassem (
iselldrugstothecommunity) wrote in
trans_92012-03-02 10:18 pm
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He Holds His Crayon Rosary [Open]
It's been a long time since Howard engaged in some harmless graffiti. Two years, if not a little more. He's exhausted from a long shift in Med Bay and then hitting the Media Library for his new Leon-appointed position, but it seems like the urge to vandalize things has been pent up for so long that he has all the energy in the world to do this.
The memory-statues and painting under the giant lit-up head in the Art Hall are as good a place as any. Using permanent marker, some pink spraypaint and his knife, he starts to carve and mark things into the shifting wall.
DGIG KILLED 1ST CREW
STACY WIPES MINDS
DON'T TRUST THEM
The paintings and statues shift and mold to his memories, images both calm and terrifying, images he remembers and ones he's long forgotten. There's him playing basketball in his driveway. There's Orc's face torn open by flesh-eating worms. There's a massacre, and there's a busy cafeteria, and there's Disneyland, there's the first time he broke his nose and there's him sleeping in math class. The statue becomes a child's corpse and then an impatient P.E. coach and then his grandmother. On the wall, the images keep shifting, but the marks he's making stay where they are, black and pink and chiseled.
WRITE IT ALL DOWN
The memory-statues and painting under the giant lit-up head in the Art Hall are as good a place as any. Using permanent marker, some pink spraypaint and his knife, he starts to carve and mark things into the shifting wall.
DGIG KILLED 1ST CREW
STACY WIPES MINDS
DON'T TRUST THEM
The paintings and statues shift and mold to his memories, images both calm and terrifying, images he remembers and ones he's long forgotten. There's him playing basketball in his driveway. There's Orc's face torn open by flesh-eating worms. There's a massacre, and there's a busy cafeteria, and there's Disneyland, there's the first time he broke his nose and there's him sleeping in math class. The statue becomes a child's corpse and then an impatient P.E. coach and then his grandmother. On the wall, the images keep shifting, but the marks he's making stay where they are, black and pink and chiseled.
WRITE IT ALL DOWN
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"Somewhat," he whispers, gesturing to the carved messages. "I know what that's referring to, at least. You know more, don't you?"
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He'd rather Cedric see the statue, so he pretends to be interested in it. "You come here often? It's kind of...weird."
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He shakes his head. "No, this is the first time I've found it. Wasn't there some sort of monster outbreak under here once? I heard to stay away."
He moves to touch the statue when it changes again---this time, it's Cedric and his father. Judging by Cedric's uniform and their pose, hugging tightly, they must be just outside the maze. He's standing triumphant and strong, just before all of this.
He's too startled to speak.
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Howard shrugs. "If there was, I wasn't he- hey, is that you?" He reaches forward and touches the statue. "That's...is that your dad?"
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"Yeah. It's pulling things from our heads again?" It's a towering reminder of all the uncertainty in the future. Is Dad even alive? He might never know.
"He was so conceited that day. He'd tell anyone who'd listen that I was the true champion, that I'd win, that the world would see they'd wronged me by focusing on Harry." Cedric makes a face that would normally convey disgust at this show of arrogance, but it's mostly sad.
Dad had really believed in him. He'd have to fight even harder against all of this---so with that, he starts carving similar messages.
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And then it shifts again. Cedric, much younger, on what must be one of his first broom rides. And the memory painting is Howard at a similar age, sitting on a swing. Like parallels.
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The last time Amos Diggory would ever see his son alive. Is that different now? Is there a chance his father will see him here? Doubtful. Cedric's fist clenches painfully until the scenes change.
The new images are a little better. It's the two of them as children, in playtime mode. But did Howard ever really get to play? "I bet you swung higher than anyone."
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Howard nods. "I don't know. Maybe. I liked the swings, it was something you could do by yourself." He shrugs and his mouth forms a self-effacing smirk. "I was never really the best at making friends, obviously."
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"I figured that was the case," he says gently, finishing one carving and starting to find a place for another. "But here we are."
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"We're friends?" He doesn't ask sarcastically, but curiously. Like he's not sure he'd call it that but not ready to just deny it.
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"I'd say so. He's loking at the painting with a quiet resignation. That's Howard's life, it always has been. Wishing won't change that---now is all the time he has. "You still disagree?" he asks in a neutral tone.
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Weird to see little Cedric looking so excited. Howard realizes that while he's seen Cedric happen or anticipatory, there's a pureness Cedric lost too before arriving on Stacy. Maybe the shadow of death is following them both.
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"It's okay," he says, staring intently at the painting. Howard's gotten bigger, far more cynical---it's just how things are, as hopeful as Cedric still is that there can be happiness.
As if to complete Howard's thoughts, the statue shifts to the image Cedric dreads most: the graveyard. Cedric's standing with another teen, both their wands out. A shorter man stands in the shadows, cradling something that looks like a deformed infant in one arm. In the other, he's also holding a wand, pointed at Cedric.
The nature of the short man's spell is made obvious by the expression on Cedric's face: pure horror. His life's blinking out, and there's nothing he can do to stop it.
TRUST THE DALIGIG AND DIE, Cedric carves in response.
no subject
He stares at the statue, at the look of terror on Cedric's face. He's seen that expression on other people's faces too, other children, but he cares about Cedric, so it's different. It twists something up deep in his stomach.
Which, he guesses, means they're friends.
And the statue begins to shift again, to something benign, but the damage is done.
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You try so hard to pretend not to care.
And that thought brings the smile back to his face, if only a small one. He mouths silent thanks, lowering his carving implements and sitting back on his heels. They can talk now, at least.
"You said you know things."
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And internally he's cursing that he's let Cedric join that circle. It's not that he tries to pretend not to care - he tries not to care at all. People to love are people to worry about, people to take on as responsibilities, and he has enough of those.
"I know everything. That's how I stay alive." Where others make do with strength or magic or superpowers or charm, all he has is his wits. A keen instinct and smarts have always been the thin divide between him and death - that, and luck. "What do you want to know?"
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"What's going on here, for a start," Cedric whispered, gesturing to the messages "I know this, but are the others really going to...?"
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"There've been rumors going around about forcing the Daligig off the ship. Command thinks there's a way we could get control of the ship but they have reason to believe the Daligig could repod us. Not to mention Stacy's running on a pre-programmed course, and if we don't diverge they're going to be waiting for us at every single pitstop."
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Life can feel like a puppet show, but the manipulation here is far more blatant.
Thought I tagged this back, /failboats.
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"So I should go and find her if I want to know?"
/wrap?