Howard Bassem (
iselldrugstothecommunity) wrote in
trans_92012-03-02 10:18 pm
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He Holds His Crayon Rosary [Open]
It's been a long time since Howard engaged in some harmless graffiti. Two years, if not a little more. He's exhausted from a long shift in Med Bay and then hitting the Media Library for his new Leon-appointed position, but it seems like the urge to vandalize things has been pent up for so long that he has all the energy in the world to do this.
The memory-statues and painting under the giant lit-up head in the Art Hall are as good a place as any. Using permanent marker, some pink spraypaint and his knife, he starts to carve and mark things into the shifting wall.
DGIG KILLED 1ST CREW
STACY WIPES MINDS
DON'T TRUST THEM
The paintings and statues shift and mold to his memories, images both calm and terrifying, images he remembers and ones he's long forgotten. There's him playing basketball in his driveway. There's Orc's face torn open by flesh-eating worms. There's a massacre, and there's a busy cafeteria, and there's Disneyland, there's the first time he broke his nose and there's him sleeping in math class. The statue becomes a child's corpse and then an impatient P.E. coach and then his grandmother. On the wall, the images keep shifting, but the marks he's making stay where they are, black and pink and chiseled.
WRITE IT ALL DOWN
The memory-statues and painting under the giant lit-up head in the Art Hall are as good a place as any. Using permanent marker, some pink spraypaint and his knife, he starts to carve and mark things into the shifting wall.
DGIG KILLED 1ST CREW
STACY WIPES MINDS
DON'T TRUST THEM
The paintings and statues shift and mold to his memories, images both calm and terrifying, images he remembers and ones he's long forgotten. There's him playing basketball in his driveway. There's Orc's face torn open by flesh-eating worms. There's a massacre, and there's a busy cafeteria, and there's Disneyland, there's the first time he broke his nose and there's him sleeping in math class. The statue becomes a child's corpse and then an impatient P.E. coach and then his grandmother. On the wall, the images keep shifting, but the marks he's making stay where they are, black and pink and chiseled.
WRITE IT ALL DOWN
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Orc considers Howard's works. He's somehow been dressed today in pants at least rather then just the plant suit. And he doesn't reek of beer so maybe he's actually not drunk...yet.
"How is it doing that?" He asked with a note of discomfort as his eyes were drawn to the shifting statues.
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He follows Orc's gaze to one of the statues, which is doing an uncannily accurate recreation of Drake tied up in the basement right now. Even knowing it isn't real, Howard shrinks back a bit, closer to Orc, his protector. "I don't know. It's some kind of memory thing. Alien technology."
And it'll start pulling images out of Orc's head too before too long. "Probably best we walk away quickly is anyone else comes. I don't like us broadcasting our secrets to any stranger who walks by."
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"What's all this?" He asked struggling to read the words. Orc had never been the best at reading and alien words were impossible.
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"There's a conspiracy going on, man. You don't got to worry about it any. I'm taking care of it." That's a complete and utter lie, but at the very least Howard has his fingers in that cookie jar, so he can figure out how to keep him and Orc safe if it comes to it.
He points to the statue, now finished its transformation. "Hey, that's you." A perfect replica of Orc in the 7th grade, before the FAYZ.
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His fingers curled into a fist and he tensed up tighter as the statue shifted again. He knew what it was before it even finished. Him, with a bat. A girls head connecting sharply with her temple.
He hadn't seen it in such vivid detail before. He had been drunk, and it had all happened so fast. He forgot Howard was even there as his eyes drank in the detail of how her skin rippled around the bat. How her eyes were crossed and tears were leaking through the corners of her eyes.
And worse then the pain on her face? Was the triumph on his own. He looked so proud of himself swinging that Louisville slugger into her face. It was for a petty, stupid reason too.
He murdered her. She died because of that moment of poor judgment.
His insides churned with bile and he felt hot. Faint. He stumbled forward and let out an anguished roar swinging a massive fist for his own grinning stupid face on the statue.
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That lasts until he spots Howard and the unsettling messages being left in the shifting scenery. He walks closer to read them all---more messages like what he's been reading on the channel. The ones who collected the crew, the Daligig, are evil. People have been calling for action, but what happens if their memories are wiped?
It's a lot to consider. So much so that he almost misses the actual content of the scenes at first---they register for later, though. "Busy?"
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"Somewhat," he whispers, gesturing to the carved messages. "I know what that's referring to, at least. You know more, don't you?"
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He'd rather Cedric see the statue, so he pretends to be interested in it. "You come here often? It's kind of...weird."
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Thought I tagged this back, /failboats.
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/wrap?
Tighter in his hand
He stood for a while, watching Howard's creative contributions.
"Having fun?"
Now from his pocket quick he flashes...
The crayon on the wall he slashes
Deep upon the advertising
And then, laughing at his own wit, he folds his arms and looks down at his handiwork. "That's a weird name."
A single worded poem comprised of
Four letters
And his heart is laughing, screaming, pounding
The poem across the tracks rebounding
Shadowed by the exit light
His legs take their ascending flight.
To seek the breast of darkness
and be suckled by the night
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And who should she come across on one of these restless days of hers but Howard, the guy that gave her the physical not too long ago. He was, of all things, penning graffiti on the wall. She couldn't help but laugh.
"That almost feels like home, seeing this."
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He figures that Hit Girl's not really the type of person to throw a hissy fit about a little graffiti, given her colorful vocabulary. He tosses a sharpie to her.
"Figure it's best to write down everything, everywhere."
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"What made you decide to do this? Random inspiration?"
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So he explores. They said there was a Media Library here, which means DVD or VHS or at least something he can pretend is like the Earth equivalent, and he thinks he could use something that looks like it's home. He's on his way when he backpeddles up a few steps and...
Whoa, graffiti central. John figures he can put the Media Library on hold, the human entering the Art Hall, his head swiveling and taking in some of the downright funky statues, others he actually recognizes from magazines.
"'Write it all down?' That's deep," John says as he finds the tagger. Somehow he's not surprised it's Howard: considering the kid's a thief, tagger doesn't seem like it's much more of a stretch.
For some reason "write it all down" hits home. John gazes at the marks, biting his lip thoughtfully. Write it down. Grab onto it, kicking and screaming if you had to get it out of your system, but write it down because that might be the only proof you have in the end. He files that away as useful advice.
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He sits back on the ground and admires his scrawling handiwork, then looks back at John. The last time he saw him was that weird shared dream they had, which Howard's tempted to ask John if he remembers but decides against. 'You were in my dream the other night' just sounds a little weird, and out of fear for being found out as gay, he's been trying to avoid anything that could be twisted even in the most obscure way to look like he's attracted to guys.
But at least John isn't interrupting his bad behavior with a gun to the face. That's something. And while John isn't joining him, he's not taking the marker, knife or spraypaint away (Howard would part with the marker or spraypaint but he'd actually put up a fight over his beloved knife).
To the side, the statues start to shift again, forming images of Howard's school counselor from sixth grade. It's weird, how the statue's mouth is moving as if silently reciting Howard's memory of 'I feel like you're intentionally underperforming so you don't stand out...'. The memory painting starts to absorb memories from Crichton, too. Howard can see the module he tried to boost being designed.
"You ever come here before? It's super creepy."
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He’s distracted by the statues shimmering, shifting on him like Silly Putty on LSD and giving him that vertigo-kicked-you-in-the-ass feeling that you’d get your first EVA. To his credit, John doesn’t go weak in the knees like some people do when you stick them on a glass floor. He shakes his head.
“Haven’t had the chance.” He eyes that damn thing. Creepy’s one way of putting it, that’s for sure. John watches as it shifts from what he assumes is someone from Howard’s past to…well, currently it’s working on a pretty decent image of Pilot, complete with that alien version of the doe-eyed stare. John just hopes it doesn’t – oh, there it goes. It’s starting to already change to Scorpy, John figuring out real fast that he better keep thinking of Pilot. The hazy shape switches back to his favorite four-armed alien. “So the whole Stacy wipes minds thing. You think we could’ve been here longer than we think?”
It’s not exactly a nice thought. Actually, it skeeves him out way more than he wants to admit – the whole mind thing is a real touchy subject for him these days and he doesn’t like the idea of any more aliens poking around in it. He figures Howard’s the same, smart kid like that.
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Howard's paying closer attention to the statue once he realizes it's reacting to John's memories and not his, and as such, picks up quickly on the way it changes to something - and then, as if thinking better of it, starts to switch back. Like a jerky sort of art hanky-panky, you put your right foot in...
"You can control it?" Howard's eyes widen. He's tried a few times to get the memory statues to react to his wishes and commands, but that only seems to make it worse. And, honestly, since he couldn't make out what the statue was turning into, Crichton's control over the images fascinates him more than the Whatever That Was that Crichton doesn't want him to see. If Crichton's going out of his way to hide it, he's certainly not going to just up and tell Howard what it was if asked.
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The Art Hall was an interesting place and, although the Doctor spent the majority of his time working on the TARDIS, he'd still gone out of his way to explore as much of the ship as possible. It might come in useful one day. And it was certainly a good way to keep himself occupied. Boredom didn't suit the Doctor.
"I'm not sure this is going to help, though. What is it, exactly? Some sort of public service announcement? A bit of abstract art? There are galleries across the Milky Way that would pay a fortune for it."
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Howard stands up and shrugs. He doesn't recognize the guy, but from the sound of it he's a traveler.
"Figure it's better to write things down everywhere than just in journals that get left alone if we get repodded." Or killed.
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"Of course, anyone clever enough to control putting us in and taking us out of the pods is probably clever enough to get rid of these sorts of messages. But it's still a good idea."
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Maybe, in a past life, Howard was an anarchist fighting against established government. Who knows.
"Anyway, what's your name, Crazy Eyes?"
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