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toariversodeep.livejournal.com) wrote in
trans_92009-10-09 10:20 pm
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What dreams may come [Open, bendytimed to before GTFO plot]
In her sealed, silent, sensory-deprived meditation room, Roxie is sleeping. It's a special sleep: for all dreams are connected, she knows, and by spinning her mind out along the web of thought, she might step into others...
[Roxie is dream-hopping, getting a look at the subconsciousnesses of the other people on the ship. So, how it works - if you're interested, go ahead and post with a dream your character is having, and Roxie will slip into it, subtle at first but more obvious as she tries to satisfy her curiosity. Just her being around will make the dreamer more lucid and more likely to remember the whole thing when they wake up.
Also, feel free to ask any OOC questions in a thread here, or poke me on AIM at 'anagramarye'.]
[Roxie is dream-hopping, getting a look at the subconsciousnesses of the other people on the ship. So, how it works - if you're interested, go ahead and post with a dream your character is having, and Roxie will slip into it, subtle at first but more obvious as she tries to satisfy her curiosity. Just her being around will make the dreamer more lucid and more likely to remember the whole thing when they wake up.
Also, feel free to ask any OOC questions in a thread here, or poke me on AIM at 'anagramarye'.]
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—against an invisible wall, the initial part of the flare spreading—
—and Roxie's eyes go wide—
—and her shield shatters soundlessly, the backlash suddenly pounding ragged patterns of narrow cuts into her, like being slammed into glass—
—as the rest of the explosion pours through—
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They both go plummeting into the open air, and everything dissolves into a black nothing that covers her in its squeezing coldness. When it recedes, there's a bright light in her face. She's bound to an examination table.
There's a table to the left of her and through the tall, overly skinny figures clothed in sanitary green doctor's uniforms milling around it, she can see Aang, older still, strapped to a table like she is, unconscious. A harness hangs nearby, like a metal spine, with needles sticking out of it, as if it's meant to be affixed to someone's back.
These tall things have no faces that can be seen. They're obscured by a black blur.
"Don't be afraid," says one of the beings, as it preps surgical equipment. "This is only going to hurt a little."
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Breath out. Breath in. Breath out—
Her muscles clamp up, pulling all at once and then relaxing. And then again. Crack. Crack. Crack. She's struggling at the straps hard enough that she's starting to hurt herself, but the pain just helps her focus.
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"The subject's awake! Sedate him, quickly!"
Aang, in turn, look over and sees Roxie, and starts to melt through the straps with a jet of fire from his finger.
"Now's our chance! Get free if you can!"
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Creak. Creak. If the straps don't give, it might end up being the table that does instead.
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A sweep of his arm breaks a tank of liquid behind them, and the wave he sends in the direction of the others, advancing towards them, knocks them all off their feet.
He goes to Roxie, unstrapping her foot straps, and doesn't notice the one "doctor" with a scalpel advancing behind him.
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She's one of those people who tends to go for the more immediately lethal options, it would seem. Unless the "doctor" is particularly tough, a successful strike is practically guaranteed to be kind of nasty.
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Roxie is freed, and Aang yanks her along by the hand again.
"The whole running part isn't over yet, sorry!"
Got some more of it to do, through the ship. The layout is slightly different now, but it's the same ship or at least similar to Stacy. There's a straight drop near where they are and Aang drags her towards it.
There's fog sunken into the hole however. It's slightly alarming.
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"So how deep does this rabbit hole go?" she asks, breath fairly even despite running high-speed to keep up with him.
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There's darkness again, and an intense heat, like they're passing through flame, and then there's an explosive force that tears them away from each other again.
This time Roxie lands in a foggy alley.
Hard. Not as hard as she could have, but Aang is nowhere to be found.
Where she is now doesn't make sense. It's a foggy little town at night. The air is cold and everything is run down and rusted.
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A breath in, a breath out, and she steps forward, worn-down sneakers touching lightly against the ground.
Pic in the youtube video is NSFW in the gory way
And around the corner, the sound of something metal being dragged on the asphalt.
Shhhhhnnnk. Shnnnnnk. Shhhhhnnnnnnnnnk.
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Familiar.
Roxie slides the brass ring onto her finger, again, and from out of the depths of her jacket glints an ivory-and-silver circlet that she pulls onto her head.
The sound. A pipe? No. Too sharp-edged. Something thin, but blunted by use. An axe, maybe. Poorly-maintained, overly abused.
Her hand goes to her neck.
If Roxie had a different mindset, she might have just gone up one of the walls. But that's not how she thinks. She expects a fight. She expects to get hurt and cause hurt.
She dashes forward, as her circlet gleams—and then is hidden, as a sudden surging tide of darkness fills the alleyway just ahead of her.
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It's a vision of one of the most beautiful things Aang knows, turned into a twisted nightmare horror, but that's what the girl did this to him during his time here. Tried to do all she could to break both him and the other girl in the blue dress.
This was one of the things she had created to do it.
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If the thing attacks her—if it even gets too close to her—the silver bell from her head will flash out as an ornate silver mace (http://i34.tinypic.com/xlf02x.jpg), with enough force behind it to crack stone or penetrate steel armor.
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Lightning-quick movement send barbed wire whipping in her direction, trying to rend flesh from bone.
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But it's still a risky move—if a single strike doesn't finish it, she's left herself wide-open for a counterattack.
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As the creature falls, there is a horrible keening noise, that sounds all the world like Katara's voice sobbing quietly and piteously, until the sounds die down and end as it dies for good.
"Ooh, you're new!" pipes up a voice behind Roxie, and standing behind her is a little girl with a hole in her stomach. If Roxie's wondering where the chasing shadows went, wisps of them can be seen coming out of the hole in her stomach. This is just the new tormentor taking the form of an old one.
"And a friend of his, I take it, just like little Susie Q. Shyness in her blue dress. That'll make this all the more entertaining, when I leave your flayed corpse for him to find. He's just so squeamish."
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smiles. It's a wicked, irregular smile that wouldn't belong anywhere on a normal person. She's back in her element, now.
"But I'm not," she says, holding up the mace before her horizontally like a holy symbol, and suddenly it lets off a sharp, screaming whine. Nauseous, churning fear. Even if the push of emotional content doesn't work, it feels good to try.
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"Is that really supposed to scare me, you stupid bitch? I'm dead. And I live here--for a given measure of 'live.'" She skips around in a circle. "Well, I did anyway, not that Aangy-wangy-poo remembers it. It's all locked away in his subconscious because he couldn't handle his little bunkmate Alessa spreading her nightmares all over the waking world during the hellish experimentation, even though he survived it. God, what a whiner."
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She stays silent, watching the girl's face, as the mace softly thrums between emotions. Joy. Trust. Fear. Surprise. Sadness. Disgust. Anger. Anticipation.
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"Christabella!"
The voice is hoarse and tired, and he's a sad figure, in tattered clothes, his leg broken and healed in a way that looks horribly painful.
"Stay away from her!"
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She glances between the girl and the new figure, still silent.
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Aang's eyes narrow, and he says, simply, "It's not killing if you're not alive."
A burst of fire is sent in her direction, sending her diving back, and Aang screams at Roxie, "Hit her!"
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She brings it down, a sharp diagonal swipe, the tines of the weapon whistling through the air like flutes. Her face is more than merciless—it's almost enjoying this, hints of pleasure creeping in around the edges.
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