hi_there_aliens: by zatgun (ij) (Default)
Dr. Daniel Jackson ([personal profile] hi_there_aliens) wrote in [community profile] trans_92011-09-16 12:15 am

Archaeology, Natural Disasters and You [Closed]

The trip down revealed that Taleen was going to be of several things, none of which were pleasant. Arid, pale with a light dusting of red from the rocks, and yellow-white grass that extended in plains all the way towards far off mountains . There was a giant gash in the land near the orb landing area, which resolved itself into a massive canyon as the party drew closer. Spider webbing out across the top of the canyon were signs that a civilization had once flourished here. Traces of broken pillars and half submerged buildings, as well as what looked like a downed ship that had embedded itself in a massive building. There was no movement visible amongst the ruins now. As the dry wind blew through the stonework, it would became clear that they were walking into a mass graveyard.

Not somewhere you'd want to spend your vacation.

For some people, this was going to be a field day.

According to the scans and what little records they had, there hasn't been a sentient being around for hundreds of years. The majority of native wildlife had moved out of the area, seeking refuge. The land looked dead already. In the sky above, several specks of light twinkled in the sky, growing bigger with each passing hour. In a few days, it will be raining fire.


[Closed to Daniel, Eleventh Doctor, Sofia, Jamie, Hoshi, Howard, Billy, the Master, River Song, Cassie, Tom]
iselldrugstothecommunity: (Wary)

Re: Daniel Jackson || Sub Temple B

[personal profile] iselldrugstothecommunity 2011-09-28 01:37 am (UTC)(link)
"Man, you take the soil samples. I got no interest in that stuff." He pulls a wind of bandages out of his med kit. By instinct, he doesn't want the water bubbling over to go to waste. Without even thinking too hard about it, he starts sopping up the overflow and wringing it out over the third drain, before he pauses and realizes maybe he shouldn't interfere with the processes the makers intended for it.

"You know, maybe if they taught world history classes with mysterious doors and water puzzlers, I wouldn't have ditched school so much," he says, mostly to himself. Not that it would have made a difference in the long run. The days of 'get good grades so you can go to college and get a job and have kids of your own' are as much a relic as the ruins they're in now, some detached artifact of simpler, safer times past that he'll never be able to recapture. No matter how much he wants to.

Maybe it's the emptiness of these ruins, or just that he's tired, but Howard's having trouble shaking the melancholy juju of the temple.

After Daniel plays with combination of switches a few times, the rivers flow with relative evenness to the drains. Howard keeps sopping up the overflow from the first drain, watching the door for some telltale change in color. Eventually the door shifts again to blue. Darker than ocean blue - lake blue.

There's a creaking noise like metal dragging on stone from the inside of the door. Howard looks from the door, to the drains, to Daniel. "Now what? Do we just...push on it?"

By virtue of being the adult, Daniel's become the person in charge. Howard finds that he's actually not excited to see what's behind the door anymore - maybe it's too many horror movies, maybe it's just the idea that whatever it is might disappoint him by being some old earthenware or something, but he realizes he liked it better when there was the challenge of the water puzzle than he does now that they've accomplished their task.
iselldrugstothecommunity: (Do I run now?)

Re: Daniel Jackson || Sub Temple B

[personal profile] iselldrugstothecommunity 2011-09-29 04:47 am (UTC)(link)
Howard doesn't make any motion to help Daniel unsolicited. He wrings out the bandages, slings them around his neck and over his shoulders so they can dry by air, and watches. "Complementary colors," he says, looking up at the orange crystals and then back at the now-blue door. "Huh."

He follows Daniel into the chamber, walking with his weight on his toes like he's about to bolt, the way he always does when he's uneasy. The first thing he notices is the mural, if only because it's beautifully colored with the crystals and what looks like thick, textured paint. Then he notices that Daniel's leaning over a body.

It's not a human body. There's some mercy in that. It's a bloodless, dessicated, intact body, nothing at all like the corpses in the trench back on Epicurea, sticky and slick with bodily fluids and decay, with whole pieces falling off under his hands when he tried to move through them. Nothing like the dismembered pieces of little kids he had to clean up at the hospital after the insect attack, who really were no more than toddler-sized sacks of blood burst all over the room. Nothing like that.

Just a dead body. He doesn't like dead bodies. He realizes with sudden clarity that he can hear the sound of his own too-fast, shallow breathing echoing in his ears. His hands are shaking and sweating. He feels like someone's got a hand wrapped around the core of his chest and is twisting and squeezing.

"Get a grip, man," he says quietly to himself, hoping Daniel can't hear him or his way-too-loud breathing. He walks up to the mural, but he can't seem to turn his back on the body. No matter what he tries, it's still there in his peripheral vision.

He hovers his hand over the mural. "Someone ransacked this place," he tells Daniel. That should be obvious enough from the blast marks, but Howard's noticing instead smaller details in the mural. Scuffs around the seams, like someone's pulled the lining out, probably some precious metal. Gouges around every third indent for the crystals, leaving empty holes. Pieces of paint chipped off geometrically, instead of by time. Drag marks going both away from and towards the door, something heavier than stone tablets. Howard recognizes it immediately because it's what he does every day during his salvage work. Pick off the good stuff, leave the rest. Whoever was last here may not have been the killers, but instead, the vultures.

"We're right, they eat meat. You don't organize a field like this unless you're trying to bring in animals. They got crystals on the outside ring of the fields and the glittering scares them off up 'til this part..." He runs his hand over the chunk of wall depicting the agriculture. "Where you can ambush from the hills without having them run back out and trample crops. The whole field doubles as crops and a giant funnel trap."

He looks over to Daniel with an excited grin threatening to break out, hoping the resident archaeology maven will agree with him that such a setup is way smart (and thus way cool). He tries his best to keep his field of vision between Daniel and the mural, not on the dead thing.
iselldrugstothecommunity: (You have my utmost attention.)

Re: Daniel Jackson || Sub Temple B

[personal profile] iselldrugstothecommunity 2011-09-29 02:33 pm (UTC)(link)
Howard gets the ludicrous urge to tell Daniel "you don't know that", but he tamps it down. He flicks his right wrist to try and keep that hand from shaking so much and rolls the tip of the pencil between his teeth. He manages to temper the whine out of his voice, but not the defensiveness. "I don't care. I don't like dead bodies, okay?"

He's much happier focusing on the mural instead. "I guess...recycling? Like, okay, back home I had patches of vegetables I grew, and when I caught rats I'd break down the pieces that you can't eat and use those to keep the ground all fertile and all. Because bones are good for plants, right, and you can't waste food. So like..."

Famine. You don't learn to use every piece of an animal if you always live in plenty. And just like that, Howard feels kinship with that dead body. It's not a pleasant feeling. It makes the hair on the back of his next stand up.

"So like, same thing here, they use the fields to bring meat in. Then they use the carcasses to feed the plants. Like a big cycle. Does that make sense? I mean, I'm not just making something stupid up, right?"
iselldrugstothecommunity: (Uh oh.)

Re: Daniel Jackson || Sub Temple B

[personal profile] iselldrugstothecommunity 2011-09-30 12:24 am (UTC)(link)
Howard narrows his eyes at Daniel, considering. It's not as if he's ever made a secret of the FAYZ itself (his less than scrupulous actions there being another story), but Daniel's calm, compassionate tone of voice is treading dangerously close to the patronizing 'you must have been so brave' rhetoric he usually hears. He straightens up and pulls the pencil out of his mouth. "You know Lord of the Flies?"

He glances back at the body, locked by time in a freakish death pose. Howard's never seen anyone die so cleanly. And he's never met anyone who reacts to the dead like Daniel does, with interest and not revulsion, glee or apathy. It's strange, he thinks, that one can be so fascinated with people and not with the fact of death. Like they're a textbook filled with scintillating trivia and an ambassador from the past, and not just another short life that's been snuffed.

"I don't think 'implements' is a word in English. I think that's the ancient Egyptian peeking through," he says in kidding deadpan. He glances back out the door, wondering with sudden fear if it'll close and lock them in if the water runs out. The idea of being locked here with the body isn't exactly appealing. "I could go do that now. I don't like being around that thing."
iselldrugstothecommunity: (Houston?)

Re: Daniel Jackson || Sub Temple B

[personal profile] iselldrugstothecommunity 2011-09-30 02:44 am (UTC)(link)
"Add cannibalism and mutations, and you have the FAYZ," Howard says, confirming Daniel's fears. He puts a hard, uncaring affect on his voice because the alternative is letting fear seep in through the cracks, and despite the fact that Howard feels more fear than he ever knew a single person could carry, he knows it serves no purpose to show it regarding this. "I was thirteen when all the adults vanished. I'm fifteen now."

Fourteen months in Hell before Stacy rescued him. The first few days weren't so bad, actually, when it was just a merry chaos of no curfew and junk food and videogames until four in the morning. It only sank in after the food started rotting what, exactly, their world was like without adults. Without police officers. Without doctors. Without a fire station. Without anybody who even had the slightest clue how to grow food or run an electrical plant or establish a system of government. Without anybody who had any sort of authority when kids started murdering each other in cold blood, or starving to death, or getting eaten alive by the multitude of mutated wild animals.

Sometimes the people Howard tells don't understand the ramifications of what he's explaining, but Daniel's smart and more than that, accustomed to thinking of cultures in large groups, motivated by resources and geography and technology. If anyone's going to understand the gravity of Howard's explanation, it'd be an archaeologist, or so he hopes.

He almost sighs in relief when Daniel offers to distract him with something else he found. He's out the chamber door fairly quickly - he waits outside the doorframe for Daniel, squinting at the walls and trying to figure out what 'something' Daniel meant.

"Why didn't you point it out earlier? I mean, when we were figuring out the door? You'd think that'd be an open invitation to start pointing out all the weird stuff." His head jerks. "Why the hell do you want to keep it? God, it's dead, just let it be at peace with all the other dead stuff."
iselldrugstothecommunity: (That's your plan?)

Re: Daniel Jackson || Sub Temple B

[personal profile] iselldrugstothecommunity 2011-09-30 06:11 am (UTC)(link)
"F-A-Y-Z. I came up with it. 'Fallout Alley Youth Zone', since Perdido Beach used to get called Fallout Alley after the meteor hit the nuclear plant. Long story. There was a big electric wall up around about twenty miles, so that was where we stayed." There's a little bit of pride in his voice there, that his name for the place was so easily adopted. Flesh-eating worms, zombies in the basement, you miss your mom and you haven't had anything to eat but old ketchup packets and grasshoppers all day? Buck up, it's just a FAYZ.

Howard visibly relaxes once the door's closed. His hands go from trembling to a slight twitch and the tension pulls out of his shoulders. Even knowing it's still there on the other side, waiting in silence for Daniel to come back for it, is better than actually having to look at it. He gives Daniel a look that can clearly be read as gratitude and a little bit of sheepishness.

He does listen to what Daniel says, nodding slightly, although the idea of taking the body back still bothers him. He gets the ridiculous thought that the body should be left here not just because it's creepy, but because why should it be dragged away from everything it ever knew, all its culture and life, to stay in a jar somewhere in Stacy's underbelly? How completely...lonely.

But of course, that's the good thing about the dead. They don't much care if you take them places.

"Alright. Just make sure it don't stink up the trunk, I guess."

He follows Daniel to the section of wall, although honestly his eyes aren't trained enough to see much of a difference. He notices the discoloration when Daniel points it out, but not the difference in joinings. Moving past Daniel, he presses his ear to it, then taps the pencil, hard, against the surface.

"It doesn't sound hollow," he says, dubious. "How much younger you think it is?"
iselldrugstothecommunity: (Relaxed.)

Re: Daniel Jackson || Sub Temple B

[personal profile] iselldrugstothecommunity 2011-09-30 02:22 pm (UTC)(link)
"They just disappeared one day. Poof. My science teacher vanished into thin air halfway into a sentence about the scientific method. We never found out why." Which means that, for the rest of his life, Howard's never going to be sure if it'll happen again. Some small nagging fear in the back of his head is always expecting to wake up one morning or turn a corner too quickly and find himself alone. "When you turn fifteen you get tempted to leave the FAYZ by this hallucination, and you can choose to stay or disappear with it. I always kind of figured the same thing happened to the adults, and they just didn't think we were worth sticking around for."

There's a deep and familiar bitterness when he says that, but anger is comforting to him. Anger is easier to cope with than sorrow, and with no conviction that there's a god to rage at, Howard finds absentee parents to be the next best substitute.

He gives Daniel a look that conveys something to the effect of 'bite me, Daniel, you're the one who wants to drag it around space poking at it'. Of course it used to be a living person. It'd bother Howard a lot less if it were a bag of groceries.

He takes a seat and wraps his arms around his legs as he watches Daniel work on the wall. If Daniel insists there's a secret chamber, he guesses there must be, although between the normal-looking block of stone and Daniel Howard expects he can learn more from observing the archaeologist. He's starting to paint a picture in his mind, of Daniel not only going on digs but directing them. Something about the way Daniel knows what he wants from Eneesh before Eneesh even answers the communicator speaks of someone who is not only comfortable in these scenarios but comfortable calling the shots.

In a perfect portrayal of teenage-boyness, Howard whines, "awww, no explosives?" in his best disappointed voice while they wait for Eneesh's answer.
Edited 2011-09-30 14:22 (UTC)
makeherblue: (the eleventh hour i)

Re: Daniel Jackson || Sub Temple B

[personal profile] makeherblue 2011-09-30 08:02 pm (UTC)(link)
Captain Eneesh's voice was clear as day. "I can send you some of my crew to deal with it. They'll be with you shortly. You will have Ninety through Ninety Seven."

Curt as always, the bug signed off, leaving Daniel and Howard to wait for their new helpers.
iselldrugstothecommunity: (You sure?)

skip forward to wall coming down?

[personal profile] iselldrugstothecommunity 2011-10-01 04:23 am (UTC)(link)
Howard shakes his head and looks away when Daniel offers that explanation. He's heard it before, from other people whenever Howard posits his theory of abandonment, but the problem is that Howard wants to believe they were left behind. He'd rather assume the absolute worst of his parents than grapple with the idea that when they vanished, he lost something worth losing. He hunches up his shoulders and brings his knees tighter to his chest, a nonverbal cue that he's done talking about it and done listening to Daniel try and lighten it.

Knowing Eneesh and her creepy alien crew is about to arrive, Howard finds himself with a hand in his pocket, running his thumb over the folded-up pocketknife he keeps there. It's silly, he knows - Eneesh is there to help and he has no reason to doubt her intentions, and a knife isn't much protection against something bigger than you, in a group that outnumbers you - but it brings him a little bit of comfort.

He looks back at the closed door behind them and thinks about the mummy in there. He wonders if they were scared when they died. The way the body had fallen doesn't look like a heroic sacrifice or a peaceful death. He wonders if they sat in wait, listening to people outside figuring out the puzzle door, deciding between trying to escape, fight back, or surrender.

He runs his free hand over the goosebumps on his forearm and sucks on the tip of the pencil, waiting quietly.
iselldrugstothecommunity: (Well that's surprising!)

Re: Yep!

[personal profile] iselldrugstothecommunity 2011-10-01 02:39 pm (UTC)(link)
Howard's uncharacteristically quiet while Eneesh's crew works, if only because they give him a terrible case of the heebie-jeebies. They don't look enough like the giant child-eating bugs back in the FAYZ to send him running for the hills, but they do make him uneasy, and he can tell Daniel's doing a fine enough job detailing their job on his own. The crew seems polite enough to him, and he thinks this may be the only scenario where being 5'3 is considered a boon. Mostly Howard scribbles notes and doodles in his notepad, including a fairly accurate rendition of the main chamber (although the sense of perspective is so awkward it'd make Escher queasy).

"I got no problem with that," Howard says, letting Daniel go on ahead. After listening a few moments in case Daniel gives him a sudden order to stay out, or go get help or a rope, he slides in too.

His jaw drops a little as he sees all the gold in the room. It's not as if gold is all that useful where he's from, but still, whomever made this room was completely loaded. The second thing he notices is that the writing looks like an entirely different style than the rest of the temple.

The third thing he notices is that Daniel is suddenly no pleasure, all tension, staring at the large contraption in the center of the room. And that scares him. He keeps Daniel's between him and the whatever-it-is, craning his neck curiously.

"You seen one of these before," he says, stating the obvious. "What is that?"
iselldrugstothecommunity: (Uh oh.)

[personal profile] iselldrugstothecommunity 2011-10-01 10:10 pm (UTC)(link)
"Gesundheit," Howard mouths. Neither of those words mean the slightest thing to him, but the certainty and seriousness in Daniel's voice speaks volumes. Howard doesn't move, except to slip one hand into his jacket pocket and wrap it around the handle of his knife. Everything about the way Daniel moves screams that danger's just around the corner.

As the sarcophagus opens, Howard wonders what the hell he just got himself into and how he can get back out of it. He cringes as the device starts to open, trying to convince himself that Daniel's not the suicidal type and thus wouldn't open what looks like a high-tech alien coffin if it's going to kill them both.

Although it would be awesome if Daniel could bother explaining any of this to the freaked-out teenager who's already seen enough crazy nightmare fuel in his life. Howard's not a believer that the unknown is scarier than anything the world can throw at you, but it's certainly not a comfortable thing to be facing.

He looks between the device and Daniel, noting the flick of confusion. Whatever it is, it's not doing what Daniel expected of it. "What's wrong with it?"
iselldrugstothecommunity: (Nervous nervous where is my pen.)

[personal profile] iselldrugstothecommunity 2011-10-01 11:00 pm (UTC)(link)
Howard shakes his head. He presumes Daniel means something longer than the three-inch blade, and anyway, he isn't willing to part with that. He thinks he saw some things that might work back up in the crack he came into the main chamber through, though, and without a word he darts back up the tunnel and out of Daniel's sight.

He's right. There are some twisted spars of what feel like metal a little ways into the crack, and in the dark it surprises Howard a bit that he didn't nearly impale himself on one of them fumbling and twisting his way around. They're thin, almost brittle, and when he puts his shoulder into twisting one it snaps off. He checks the length - longer than his arm - and breaks off another for himself.

When he gets back to the main chamber he seriously considers not going back to give Daniel the spar. After all, the first chamber had a mummy in it, and this one has something that might be supremely dangerous but busted in it. Not to mention that Daniel still hasn't told him what it really is or why he should care.

But some better part of his nature tells him to go back down there, and so he does. He walks up next to Daniel, still keeping as much distance as he can from the sarcophagus, and puts the spar in his hand.
iselldrugstothecommunity: (Wary)

[personal profile] iselldrugstothecommunity 2011-10-02 12:32 am (UTC)(link)
Howard breathes a sigh of relief and relaxes about half a centimeter. "Oh, good. I thought it'd be full of space scarabs and a mummified Brendan Frasier or something."

Howard picks up the spar when Daniel drops it and leans it against a wall of the chamber. It also gives him an excuse to get a little further away from the thing, which Daniel has imbued with a pretty powerful sense of foreboding, even empty. He turns on his flashlight too, and curls it in the crook of his neck and shoulder so he can keep his hands free as he examines the hieroglyphics on the wall. They look Egyptian, of all things, but Howard's pretty certain his world history class never covered King Tut colonizing different galaxies.

"So, uh. You going to explain what a Gold Sarcophagus is or do I have to google it?"

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