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trans_92011-07-29 01:59 am
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Back in black
The young woman who had looked after Zouichi and his siblings had taken it upon herself to instruct them in quite a few areas that were not strictly part of their curriculum -- areas regarded by many of the personnel at Toha Heavy Industries as impractical, even pointless.
Better that they should be taught one more way to kill an opponent without a sound, or log additional hours in test simulations.
But because it would have been disruptive and costly to switch instructors halfway, and because she was the daughter of a scientist of some importance to the project, she was allowed to continue with her eccentricities.
Some of the most peculiar of the lessons she insisted upon centered around an old Earth instrument, one that by the 31st century had become more of an amusing anachronism than anything else. Something you saw in old movies or read about in books, not something you kept in your house or paid to go listen to. It wasn't something he had time to practice, once he was released, but there seemed to be nothing but time here.
So Zouichi had found himself visiting the Sensoriums more often, not to destroy imaginary enemies in ever more creative ways, but to play -- mostly when he could reasonably be sure everyone else would be asleep, and therefore unlikely to come look for him. Today, however, he wasn't in the mood to bother waiting for people to turn in. There was one other oddity -- a bandage wrapped neatly about his forehead, half-covered by his bangs.
He shed his customary gloves, placing them on the surface of the polished black wood. Then he closed his eyes, placed his hands over the cool ivory keys, and began to play. Satie's Gymnopédie No. 1, a slow-paced, melancholy piece. He didn't know why, but playing it always made him remember the ocean. Or at least the simulated version of it; he'd never seen the real thing. The quiet ebb and flow of the tide, the breaking of each wave into sea foam upon the shore. The sea at early evening, perhaps, when all its visitors had gone home and the sun cast everything in long shadow.
Then, on a whim, he focused on summoning up an orchestral accompaniment: a crowd of black-clad musicians in which he might more easily blend in. Or maybe hide, if such a thing were possible on an open stage with a stern-faced conductor watching over all of them. For a moment, the musicians were still. Then, together, they began the first movement of Rachmaninoff's Piano Concerto No. 2 In C Minor, Op. 18. It was easy, once they began playing, to simply lose himself in the swells of sound. The dreamlike ebb and flow of the violins, the rich, deep murmur of the cellos, the brassy reports of the trumpets, the clear, concise flurry of the flutes. Fascinating, the way the sounds of so many different individuals could come together to create a coherent narrative.
It was too bad he'd never get a chance to play with the real thing.
Better that they should be taught one more way to kill an opponent without a sound, or log additional hours in test simulations.
But because it would have been disruptive and costly to switch instructors halfway, and because she was the daughter of a scientist of some importance to the project, she was allowed to continue with her eccentricities.
Some of the most peculiar of the lessons she insisted upon centered around an old Earth instrument, one that by the 31st century had become more of an amusing anachronism than anything else. Something you saw in old movies or read about in books, not something you kept in your house or paid to go listen to. It wasn't something he had time to practice, once he was released, but there seemed to be nothing but time here.
So Zouichi had found himself visiting the Sensoriums more often, not to destroy imaginary enemies in ever more creative ways, but to play -- mostly when he could reasonably be sure everyone else would be asleep, and therefore unlikely to come look for him. Today, however, he wasn't in the mood to bother waiting for people to turn in. There was one other oddity -- a bandage wrapped neatly about his forehead, half-covered by his bangs.
He shed his customary gloves, placing them on the surface of the polished black wood. Then he closed his eyes, placed his hands over the cool ivory keys, and began to play. Satie's Gymnopédie No. 1, a slow-paced, melancholy piece. He didn't know why, but playing it always made him remember the ocean. Or at least the simulated version of it; he'd never seen the real thing. The quiet ebb and flow of the tide, the breaking of each wave into sea foam upon the shore. The sea at early evening, perhaps, when all its visitors had gone home and the sun cast everything in long shadow.
Then, on a whim, he focused on summoning up an orchestral accompaniment: a crowd of black-clad musicians in which he might more easily blend in. Or maybe hide, if such a thing were possible on an open stage with a stern-faced conductor watching over all of them. For a moment, the musicians were still. Then, together, they began the first movement of Rachmaninoff's Piano Concerto No. 2 In C Minor, Op. 18. It was easy, once they began playing, to simply lose himself in the swells of sound. The dreamlike ebb and flow of the violins, the rich, deep murmur of the cellos, the brassy reports of the trumpets, the clear, concise flurry of the flutes. Fascinating, the way the sounds of so many different individuals could come together to create a coherent narrative.
It was too bad he'd never get a chance to play with the real thing.
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Eva emerges as the last strains end, having been listening quietly since she stumbled on the occupied Sensorium near the beginning of he piece. It's been another relatively sleepless night at Cassie's house, and she normally uses those as excuses to slip out and drink wine and read in the Media Library, or re-enact classic movies with the hologram technology. She'd been intending to do the latter when she saw Zouichi.
It seemed a shame to interrupt him in the middle of the piece, so instead she waited until it was over.
"You're just full of surprises, aren't you?"
She motions to the bandage around his head, silently questioning if he's alright.
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His hand went up to his forehead almost involuntarily, mirroring her own gesture.
"Oh. That. Technically, it wasn't necessary, I guess. But..." He hesitated a little. "Somehow it felt a little more final than just having a medic remove it. You know?"
He thought if anyone could understand the feeling of wanting to scrub away a memory, it might be Eva.
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She nods, a bit solemn. "It's nice to be able to do those things yourself." You get to assert your own volition that way. "You're otherwise alright? Rachmaninoff isn't the Kanoe Zouichi equivalent of sleepwalking?"
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Zouichi nodded slowly. "I'm... a lot of things happened, I guess. But I'm still here." He hasn't quite begun decompressing, figuring out what the mission changed and what it didn't. "Did you hear about what happened during the mission yet? I always forget how extensive your nefarious spy network is."
Then he smiled slightly. "I'd need to sleep to sleepwalk. I might ask you something similar, though -- are you usually up this late?"
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She shakes her head. "I didn't think my teenage son needed to see his mother drinking at three in the morning. Or whenever this is. Honestly, with as many psychological issues abounding on this ship as there are, we should just scrap the beer tree and plant one that dispenses Ambien."
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"I guess you already know the basics. Shortly after we got there, the Council took aside several of the crew members -- those they'd deemed 'clones' -- and branded them. Apparently, the government treated clones as a kind of worker underclass, shortening their lifespans and programming them only to perform certain tasks. So that was us.
Then it turned out what the Council wanted was our help putting down a rebellion put together by those mistreated clones. And we had endless rounds of talking about whether or not we should help them or not." His expression told her what he thought about that.
"There was a lot of talk about how it wasn't our problem, while the medical technology we wanted was. Stuff about how the technology could 'change the course of the war'." Zouichi waved a hand at that idea, dismissively.
"Anyway, then a bunch of us got kidnapped by the resistance forces. And long story short, we ended up setting up a deal with the resistance to steal a bunch of tech and help with one of their operations in return. And then came the clone army, and then the Councilors were five thousand years old and you needed to take the hay and the wolf across the river or the sheep would get eaten."
Seriously, the last few moments had been an utter clusterfuck.
He raised an eyebrow. "You let him stay up till three? I'm surprised."
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She's quiet for a few moments, processing that. Tools. They'd been told they were less than persons, then used as tools in a game between larger forces. Not altogether different than how Stacy treats and uses them. Their own lives, agendas, interests, have little matter in the grand scheme of things, where powers on high have entire armies to smash against each other like children with toy cars.
Typical. She should stop being surprised at this.
"You must have a lot of faith in me to think I can tell Marco what to do."
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More surprising was seeing who say behind the ivories. Jr.'s eyebrows raised, and he took a few steps in. He still had a small limp, but rest more or less helped with that. "I didn't know you could play!"
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He looked down at the keys for a moment before turning back to Jr. "Someone important to me taught me how to play. She said it might help me understand what it was like. You know. Being human."
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"I just never pegged you for the instrument playing type, that's all." Then again, nobody probably thought that way about him, either. But whatever. "How is it?"
The question was both in reference to how it felt in the sensoriums and how taking that someone important's advice turned out. He stepped up to the piano, running a gentle hand over the top.
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"Technically, I can play pretty much any instrument a human can. I just need to download an instructional file of the correct format. However, I learned how to play the piano the old-fashioned way. She insisted on it."
He paused. "...I like it, I guess. The sounds that it makes, the weight of the keys. It brings back memories. But I'm still not sure I understand what she wanted me to."
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"I can play it some," he said after that, somewhat nonchalantly. "I learned how to play it and a couple of other things. I really like pianos, though."
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He moved aside slightly, offering Jr. a seat. "You want to try?"
Zouichi would be rather interested to hear what Jr. might play.
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Classical music wasn't his favorite, but he still found it beautiful, and somehow he'd never thought he'd hear it here on the ship. He leaned back, shut his eyes, and let it wash over him.
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"Hello," he said, looking curiously at the man. "Are you a new arrival here?"
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He was kind of joking, but there were crew members who could do those things, so...
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/wrap this up pretty soon?
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Not that she had precisely planned to find him here, either. Music was a rare enough pastime on Azeroth, though, and this was an even greater surprise.
The Draenei waited until he was done playing before clearing her throat faintly, hooves quiet as she stepped forward.
"I am glad you've returned safely, Zouichi." Or safely enough, right? "How are you?"
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Alastirra shrugged a bit at that, tilting her head and smiling. Though the smile drifted off her lips at the sight of the bandage on Zouichi's forehead.
No. No. She wasn't going to talk about that now. Nor could she really think of anything to say, though she gave him another smile. Then her expression brightened.
"You play very well! I do not know what this instrument is, though."
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He turned back to the keys. "Thanks. It's called a grand piano. It's an old Earth instrument, one that people don't play much any more. At least, not where I'm from."
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"I do like music, though. Much of Draenei music was vocal--singing or chanting. Especially when we were at war with the orcs. Oh, I know there are plenty of portable instruments, but...for the most part almost everyone has a voice." Alastirra shrugged. Though that did mean that those who couldn't sing, or had no voice, like poor Nehaalista, were at a disadvantage.
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"I see. Are you a singer yourself?" He wasn't sure if Alastirra would be willing to sing even if she was, but he might as well ask.