http://vissernone.livejournal.com/ (
vissernone.livejournal.com) wrote in
trans_92010-10-26 07:57 pm
Entry tags:
Given and Lost Something Infinite [Open]
Aside from her son, the thing Eva's most excited to find is that the media library has some of Jorge Luis Borges' classic works. Pulling Dreamtigers up on the pad, she sits in a corner of the media library and tries to unwind. Her conversation with Dani has made her wildly angry, and since there's no paperwork for her to attack, no people on the other ends of telephones to verbally battle, no Peter to listen to her vent and rage, she can only think of two ways to ameliorate the burn: literature and wine. And she doesn't have wine.
"'You suffer captivity, but you will have given word to the poem.' God, in the dream, illumined the animal's brutishness and he understood the reasons, and accepted his destiny; but when he awoke there was only a dark resignation in him, a valiant ignorance, for the machinery of the world is far too complex for the simplicity of a wild beast," she reads aloud to herself every few paragraphs.
A passerby might find her actions unusual or annoying, as she drums her finger on the table, taps her feet against the floor and speaks as she reads. Occasionally she talks to herself, "what do you think, Eva?" or taking the dead author to task over whatever statement catches her eye. She alternately scrunches her nose and bites her lip. Anything to remind herself, as always, how blessed she is to still be in motion, to have a voice again with which to say anything or nothing.
The familiar words she used to read, before Yeerks and wars and violence, before even parenthood and certainly before Stacy, are soothing. Even as the words nestle up and awaken the darker memories of her history. Even without wine or Peter or paperwork or purpose.
"Dante, filled with wonder, knew at last who he was and what he was, and he blessed his bitter sufferings. Tradition has it that, on waking, he felt he had been given - and then had lost - something infinite, something he would not be able to recover, or even to glimpse, for the machinery of the world is far too complex for the simplicity of men."
Eva smiles sadly and pretends to dog-ear the imaginary page.
"'You suffer captivity, but you will have given word to the poem.' God, in the dream, illumined the animal's brutishness and he understood the reasons, and accepted his destiny; but when he awoke there was only a dark resignation in him, a valiant ignorance, for the machinery of the world is far too complex for the simplicity of a wild beast," she reads aloud to herself every few paragraphs.
A passerby might find her actions unusual or annoying, as she drums her finger on the table, taps her feet against the floor and speaks as she reads. Occasionally she talks to herself, "what do you think, Eva?" or taking the dead author to task over whatever statement catches her eye. She alternately scrunches her nose and bites her lip. Anything to remind herself, as always, how blessed she is to still be in motion, to have a voice again with which to say anything or nothing.
The familiar words she used to read, before Yeerks and wars and violence, before even parenthood and certainly before Stacy, are soothing. Even as the words nestle up and awaken the darker memories of her history. Even without wine or Peter or paperwork or purpose.
"Dante, filled with wonder, knew at last who he was and what he was, and he blessed his bitter sufferings. Tradition has it that, on waking, he felt he had been given - and then had lost - something infinite, something he would not be able to recover, or even to glimpse, for the machinery of the world is far too complex for the simplicity of men."
Eva smiles sadly and pretends to dog-ear the imaginary page.

no subject
The words filter through the air as Renne alternates between walking and crawling his routes -- both types of movement have value to him, so he's endeavouring to keep both in sharp order. Well, sharpen his strange walking with its hip-rolling gait and keep up his fast crawl, more like. As it is, it'd come time for his studies in English and he'd honestly not expected to hear another voice.
Hence, the blue oddity drops into his crawl again and waits, listening with his head peeking 'round a doorway. Those big ears of his against the shock of still tangled hair might be hard to miss.
no subject
"It's rude to stare," she says flatly.
no subject
Stare? He's quite honestly confused by that.
With a chirp and a twitch of both big ears, Renne crawls through the doorway, sniffing a little along the floor. He's trailing the left-hand wall for a bit until it's time to square off. At which point, please don't be surprised if and when he runs face-first into something. Likely a chair or a terminal.
Staring is something he...can't really do.
no subject
She puts the pad down. "Could I ask what you are?"
no subject
Chirp-trill. getting his bearings, the anomaly's skin gives a thin flash of pale indigo-violet. And then another, broader flashing stripe of bluish teal. Managing to find his way to a spot...kind of at her feet, he gives a quick sniff, then sits back.
Yes, his feet appear disproportionately large on him. As for answering the "What are you?" question, he's not trying to be a smartass. He just...finds it hard to explain in his limited English.
"Rrrr-enne be Rrrr-enne. Wha-t yeu is?"
no subject
no subject
His ears give a flick-twitch forward. His one black eyebrow goes up in that Spock-like way.
"Rrrr-enne noh kno-w tha-t. Rrrr-enne do rrrread....Shakey-Spearrrr." Not that he understands much of it mind you, but Shakespeare had been the favourite of a very old, very dear and very dearly missed friend of his.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
She cocks her head, still drumming her fingers along her thigh. "I don't believe we've met."
no subject
no subject
"I'm Eva. I've heard about your tavern, but I haven't had a chance to visit it yet. I'm new here, but I'm sure I'll need a job soon enough. Idle hands, you know." She looks down at her perpetually active hands and back up and shrugs and smiles.
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Jamie peers as surreptitiously as possible around a corner to observe. Sure enough, it's a woman, alone; and though it does sound as though she's talking to someone at times, Jamie can't see who it is she might be addressing. She could very well be talking to herself.
...or to "herself." Spoken conversations with an invisible other are something Jamie is all too familiar with, though it's something he hasn't personally had to do for several years, and his curiosity - morbid though it may be - is piqued. He leans a little further around the corner, trying to ascertain that the woman doesn't have a (real, tangible) companion who's just out of sight - a pet, a mute friend - to whom she's talking.
He ends up leaning so far that he slides off his seat and into the aisle. Whoops.
no subject
no subject
"Uhhh, yes. Ma'am. Right, sorry," he stammers, and finishes with a conrite half-grin.
no subject
She didn't, but she can figure what happened based on the positioning of the seat and aisle.
no subject
The fact that Jamie does not actively consider having a headvoice to be nuts would probably distress him, on some level, if he let himself think about it.
Instead of saying something so flagrantly embarrassing, he manages, "You were reading kinda...loudly."
no subject
He seems to be stumbling over his word and doesn't seem to have meant any harm, so she just adds. "I'm sorry if I bothered you."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
no subject
"...Okay, what?" he said
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)