http://toariversodeep.livejournal.com/ (
toariversodeep.livejournal.com) wrote in
trans_92009-11-15 10:43 pm
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This city won't say where she's going / She won't speak of where she's been
Somewhere in the City there is music... and it's loud. For blocks, easily, it can be heard pouring out from open windows and doors of the building it's coming from, and closer in, the bass can felt as much as heard.
And the building—well, the little independent office has been sharply redecorated, walls scrawled with bright runes and complex glyphs that seem almost like hyper-abstract graffiti, some of the windows methodically boarded over, the freestanding sign replaced with large, hand-lettered block print reading ROXIE'S, and under that, freelance monster removal &
artifact creation.
Maybe you've come by to tell her to turn that music down—or just to visit—or to volunteer some of the materials she asked for from anyone willing.
And the building—well, the little independent office has been sharply redecorated, walls scrawled with bright runes and complex glyphs that seem almost like hyper-abstract graffiti, some of the windows methodically boarded over, the freestanding sign replaced with large, hand-lettered block print reading ROXIE'S, and under that, freelance monster removal &
artifact creation.
Maybe you've come by to tell her to turn that music down—or just to visit—or to volunteer some of the materials she asked for from anyone willing.
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She takes hold of his hand, keeping it over the bowl, and very carefully draws the knife across the back of his hand, letting the resulting shallow cut start to drip into it.
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"So tell me about this dreamwalking thing that you do," he asks as the little bowl slowly begins to fill.
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Roxie sets the slightly-stained knife on another towel, and watches Gauron's hand as she answers: "I've been patrolling the collective unconscious of the ship. It's rare that there's a one-to-one match with any physical element, but I don't think the power I experienced could have come from something without at least an incidental physical manifestation."
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"... I could," she says, louder. "I should be able to show you the edge of the king's territory from a distance, at least."
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Roxie wipes the gunk and smeared blood off her hand on one of the towels. "You could use my extra couch." She points over to where it's tucked into the corner. "Would you need any help to fall asleep?"
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And she settles into her meditation room in the back, waiting for Gauron to sink into the dreaming phase of sleep.
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Roxie continues down the stairs with him—they spend a long time just walking down endless enclosed spiral stairs, passing by landings that shoot out into the darkness and give glimpses of a broad variety of strange scenes.
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He doesn't know what he'd been expecting to see, but he refuses to let himself be unsettled by the scenery - some of it's pretty interesting, actually. Maybe he can get a closer look at it on the way back. For now, though, they've clearly got more important things to see.
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"So many sleeping minds makes the ship's dreamland less than consistent."
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She's one of the ones who can shape the place, apparently.
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They stop. This is near the edge, where things are less... existent. Less insistent. It's like gazing into the depths of space, but there are no stars, no planets, only dark storms that fog the view. Another hundred steps and one could leap into the void and be lost forever.
There is a beating of drums, very far away, and a wheedling of flutes, and though it is all so soft as to border on the inaudible, some part of it grinds away at the hidden parts of the mind.
"This is the closest I can let you get," Roxie says. "The being is out there. If you focus enough you can feel the musicians of its court trying to pull at your heart."
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And then, the momentary shift of her expression says, they all die.
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