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trans_92009-08-22 01:58 am
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Never let them tell you that it's all the same... [Open]
The door to one of the Sensorium pods has been propped open with a brick taken from the city level; it leads into a small vestibule with 'airlock' doors, set up to block out the outside light.
Past that, one can take a few steps into the darkness, eyes adjusting—and feel the weight lifting as the gravity drops to nothing, and there is only a soft floating against the stars and galaxies that stretch in every direction.
The air is thicker, almost fluid, body temperature, enough to make the boundary of the skin seem to almost fade a little, and there's absolute silence but for one's own breath: it's like stepping into a supremely thorough sensory deprivation tank, but for the stars. One could imagine floating peacefully in space, overlooking the whole universe.
Near the entrance (now hidden from the inside), only a dimly-outlined shape against the sky—as there isn't enough light to really see her properly—is Luly, curled up against herself in the zero-G environment, eyes open but unfocused and her red wrap trailing around her a little.
Past that, one can take a few steps into the darkness, eyes adjusting—and feel the weight lifting as the gravity drops to nothing, and there is only a soft floating against the stars and galaxies that stretch in every direction.
The air is thicker, almost fluid, body temperature, enough to make the boundary of the skin seem to almost fade a little, and there's absolute silence but for one's own breath: it's like stepping into a supremely thorough sensory deprivation tank, but for the stars. One could imagine floating peacefully in space, overlooking the whole universe.
Near the entrance (now hidden from the inside), only a dimly-outlined shape against the sky—as there isn't enough light to really see her properly—is Luly, curled up against herself in the zero-G environment, eyes open but unfocused and her red wrap trailing around her a little.
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She starts humming a tune (http://www.youtube.com/watch?v=LrrXOVkXkvw), softly: no words, just the melody filtered through her. And in the dark, she stretches, the lines of her tattoos catching the minimal light as she unfolds out like a cat. In the zero-G, she can do it more than she'd be able to normally—with the weight gone, her spine has loosened up even more than usual.
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Katara moved over to the girl now, her curiosity getting the better of her. "Hi," she said, almost in a whisper. "What is this place?"
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Under them, a great dark shape looms, a black-painted ship a mile long that shares the plated, almost-organic aesthetic (http://www.cthulhutech.com/media/art/p163.jpg) of much Nazzadi technology, studded with turrets and missile tubes. The hull plating is warm to the touch.
"But if we were doing that, we'd need suits, and that kind of gets in the way of things." She shifts, catching fingers in hull protrusions and pulling herself to 'sit' cross-legged despite the lack of any gravity to hold her there.
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Around her the sights were out of some strange dream, or nightmae to some. The ship looked like sopme sort of looming alien, one that Katara could only comprehend in a dream sequence. In truth, a lot of this seemjed like the kind of thing Aang would be pulled into.
She sat in a similar fashion, watching her host. She was beautiful in a way far different than any appearance Katara had ever seen. Hard as she might, Katara could not stop looking at Meluly. She fascinated her.
"What...who...are you?" She asked timidly.
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She stretches a little, a hand staying hooked into one of the crevices in the hull to keep her motion from making her drift away. "We're on the outside of the hull... the bridge is about straight down from here, right in the middle where it's least vulnerable. That's the front." She twists to point leftwards, where the ship stretches out into the black.
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She could clarify later that she was a one woman army anyway.
"Oh, I've actually already been on a ship's bridge! I met the Captain of the ship, Jean Luc Picard. He had me do a training simulation and everything. But I haven't been inside a ship like this before, just Stacy and the starship Enterprise. I'd love to see the inside of thsi ship when we get the chance!
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—and the environment suddenly changes—
—and they're in a cramped, long, claustrophobic room, studded with display panels and control interfaces, all in that same strange style. There's barely any lighting at all, with only those panels and some dim strip lights down the length of the passageways to provide any ambient light. It's like being in the middle of a submarine's bridge.
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"It's really fascinating, to see how far technology has gone in other people's worlds! I know I seem like some sort of backwards tribe person for getting so excited about everything, but in my world the farthest we've gone is an industrial age." She made a face, annoyed that the only reason she knew that was because of Brainy, the impolite life form.
"We can go back to the hull again. It's beautiful up there. I just wanted a peak in this place. What you're able to accomplish: its truly breathtaking."
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Instead of dwelling on it, she makes the scenery change again, back to the hull—but this time, both of them are outfitted appropriately, in simple, snug-fitting pressure suits and helmets (http://danbooru.donmai.us/data/2667dc0dc279b35252aa19d2b54e6dc3.jpg), thoroughly sealed-in: the boots of the suits cling to the hull magnetically. With the simulated air gone, there's no sound at all, just the distant, faint thrum of the ship's engines, and Katara's own breath echoing in her helmet...
Luly leans to touch the helmet of her suit against Katara's. "This is more what it's really like," she says, the sound transmitting but distorted by the materials.
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When the scenery changed, Katara was used to what she had been wearing, the plantsuit, but definitely not these new pressure suits. She turned red a little, very surprised to be in this kind of attire. It was far more realistic though, and that was the important part.
Of course, being aware of how young she must look in this wasn't an ego boost.
"It suits you better," Katara said. "It'll take me a minute to adjust."
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Luly settles back into a 'sitting' position, leaving Katara in the self-enclosed silence as she works her mag-boots off the hull plate with a funny rocking motion and then on again.
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Katara attempted siting position, and after a minute was sitting in the same position. She was thoughtful a moment, then touched Mululy's helmet. "I'm curious. In your world, are you fighting a war too?"
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The scenery changes and flickers. Below them—far below, but huge, taking a massive slice out of the sky—is a cool blue-and-green planet, and clouds of strange, organic-looking ships stud the stars around it (http://www.cthulhutech.com/media/art/p37.jpg).
"They want to control Earth. They're... not like Humans or Nazzadi, they're so alien we haven't even been able to figure out why yet."
The cruiser they're on the outside of floats unmolested, but one might imagine that wouldn't be the case if this were a real situation.
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Katara thought for a moment. There were a lot of questions she had, obviously, but she wanted to focus on ones that wouldn't pry into this war. For all she knew, it could be sore subject for Meluly. It certainly seemed so judging by her expression.
"Um...could you tell me a little about the Nazzadi?"
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"...the Migou created us," she adds quietly after a moment, "but we joined Humanity once we realized the truth of what was going on."
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Katara hoped not If there was one thing she knew about first hand, it was being betrayed by someone you once trusted. Obviously, something like this would be much worse.
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She goes silent, wanting to let the implications of that sink in.
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"I couldn't begin to know your war. I have a war in my world too, but I couldn't imagine it under those circumstances. But this space, by itself....I think its wonderful, even with the suits."
Katara looked down a moment. "Why do you think Stacy brought us here?"
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It takes her a little bit to regain her composure enough to continue. "I've been trying not to think about it. I don't like any of the implications."
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And those eyes bothered Katara. Why wouldn't they? Katara was more than aware people on this ship went through worse than some others. When Katara learned about certain things that happened to people on the ship, she was bothered. It was a reaction she'd always had.
"I'm still learning too. I'm trying to find out as much as I can while I'm here. Like learning about all of you here. The longer I'm here and training, the more I want to find out what role we're going to play."
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Her gaze has slid back out to those glowing stars.
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"Sure."
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The suit she's wearing changes, all at once. There's a helmet sort of thing, but it's sleeker and tighter, more like a hood, and at her neck it seals, and from there down she has only a suit of some tightly-woven white mesh, just loose enough to see flashes of her black skin and silver tattoos through, and something like a skintight-sealed one-piece swimsuit.
"Fun fact is," she says, the hood pressed against Katara's helmet, "it actually doesn't hurt to touch vacuum if you've got enough pressure in, too." She stretches her fingers—the mesh is obviously elastic in some way. "This is about the closest you can get to raw space. It's not good for more than a couple of minutes, but it works."
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Katara replicated the suit as well, and shivered. Her own caramel skin was unused to being exposed unless she was actually on a beach. She giggled nervously at the new sensation, and touched the helmet. "I'll take the risk. This...is actually fun. Please, tell me more about your people and your traditions. I love your markings."
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"All right... Hang on, let's get this cleared out and comfortable some--"
Vwoop, and the simulation is back all the way to how it started, with the two of them floating in the air-filled void of stars, the suits gone--but this time, she's left them in just those underlayers of the elastic suits. The way the white material seals to Katara's skin, pressure-tight, is weird and a bit uncomfortable, but not actually painful.
"Well, these," Luly says, conjuring up a floating globe of ghostly light to better illuminate herself, "are kind of a new tradition for my people. Their use is actually younger than me..." She stretches loose and limber like a cat, with a casual grace that seems almost unhuman. "The circle here--" (she points to her forehead) "--marks me as a unified warrior, a martial artist, and the break at the bottom is a flourish that goes with being a mecha pilot..." She leans forward to let Katara get a better view.
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