http://clockworkrepeat.livejournal.com/ (
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trans_92011-07-08 08:45 pm
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Today, she decides to spend a bit of time exploring. It's important, Homura thinks, to get her bearings straight. To familiarize herself with the passageways of this place, the ins and outs, to feel comfortable under the swell of Stacy breathing. It makes her feel small and trapped to be inside a being so huge, but it's okay. She just needs some time to adjust.
The first thing she does is head towards the city level. Once there, she dives down streets and alleyways and figures out how the place is set up. Observing the online network of this place has given her a map, which she follows. You might have noticed her there, walking around. Wandering isn't the word to use for what she does-- nothing Homura does is without purpose.
Moving through the city and figuring out the general size of it takes most of the day. She has yet to explore every nook and cranny, but that will come to her with time.
So she heads to another place that she'd heard of in passing, read on a map.
The main armory.
Weaponry was a practicality as well as something she held some interest in; bombs, rifles, handguns. At one point they'd frightened her, considering how illegal they are in her home country. But no longer. She instead takes some comfort in the familiar weight of a gun. It's something that never changes between timelines; a bullet is always so strong, a bomb made with this ratio of materials has this much firepower. It's good, to have some consistencies.
The technology here however is far beyond her wildest imagination. The weaponry is no different. Flipping through the holographic display, she finds things that are familiar to her and then things that are not. She looks through it all appearing at first rather stoic, but she's really quite interested-- and that's obvious in the way her eyes scan over each weapon that appears before going to the next. There's fondness too, as she sees something she recognizes. Something she's handled. It's something hard to really see, but it's there.
But isn't it a little odd to see a girl who looks only around fourteen years old so familiar and at home with weapons?
The first thing she does is head towards the city level. Once there, she dives down streets and alleyways and figures out how the place is set up. Observing the online network of this place has given her a map, which she follows. You might have noticed her there, walking around. Wandering isn't the word to use for what she does-- nothing Homura does is without purpose.
Moving through the city and figuring out the general size of it takes most of the day. She has yet to explore every nook and cranny, but that will come to her with time.
So she heads to another place that she'd heard of in passing, read on a map.
The main armory.
Weaponry was a practicality as well as something she held some interest in; bombs, rifles, handguns. At one point they'd frightened her, considering how illegal they are in her home country. But no longer. She instead takes some comfort in the familiar weight of a gun. It's something that never changes between timelines; a bullet is always so strong, a bomb made with this ratio of materials has this much firepower. It's good, to have some consistencies.
The technology here however is far beyond her wildest imagination. The weaponry is no different. Flipping through the holographic display, she finds things that are familiar to her and then things that are not. She looks through it all appearing at first rather stoic, but she's really quite interested-- and that's obvious in the way her eyes scan over each weapon that appears before going to the next. There's fondness too, as she sees something she recognizes. Something she's handled. It's something hard to really see, but it's there.
But isn't it a little odd to see a girl who looks only around fourteen years old so familiar and at home with weapons?

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He has no idea how to run holomowhatever displays and has no idea how to make anything work and doesn't want to learn and has been spending his time with his face plastered to the glass, looking at what looks like an infinite number of weapons, desperately trying to look for a spiked deathball that he's missing.
And then things start moving around when you start moving them around. And this is both helpful and confusing, as he gets to see new things but he wasn't done looking at some of that stuff before it moved away and out of sight.
"Come back," he says, futilely, his face pressed into the glass, "I ain't done lookin' at that bit yet."
He still has no idea that you're in here, too.
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In any case, when he entered and spotted the girl standing there looking so interested in the weapons, Hei wasn't so much surprised so much as a little unhappy with that. It reminded him all too well of his own past--namely his little sister.
He silently walked over to the window to watch as the racks shifted and moved. Hei was patient; he'd wait his turn.
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She steps to the side, allowing him access, examining the weapon carefully.
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"Why'd that happen," he said. He didn't understand. Unless... unless... the machina could hear him.
"... hey machina. You. You listening, ya?" he asked, his face still pressed to the glass, still looking at the rows and rows and rows of weaponry.
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Stepping up to the display, he pulled up the double-bladed knives he had found the other day. Hei lifted his eyes to watch the racks move and shift before coming over and plucking one of the knives out. He held it in his hand, checking the balance, and then tossed it, catching it by the tip of one blade.
It was well-made, he had to admit.
"You like firearms?" he asked, as he took out several more knives and tested them out in turn. Hei kept his voice low--speaking any louder would seem strange in the otherwise silent room.
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"I suppose," she says, continuing to look it over. Her voice is, as well, rather hushed. "I do have an interest, but it is one born of necessity."
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He quirked a brow. As normal as she appeared to be--interest in weapons aside--Hei had a feeling that there was something different about this girl. How she was different, he didn't know, possibly would never know, but it put him on edge a little.
Not that his expression, actions, or demeanor changed in the slightest.
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She doesn't react to his quirked brow, just looks his way for a brief moment before setting the weapon back inside. She then goes to flip through the display once more. As she does it, she looks to him and asks: "And yourself? You know how to use a knife, it seems."
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Hei quietly sheathed the knives he had been looking at; they should be enough to last him a little while, especially if he wasn't doing much fighting on board the ship.
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"The machine isn't alive," she says softly.
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Wakka whirls around to look at... a little girl.
Oh.
"Oh, you ain't a machina, you're a girl."
She's a girl. Not a machina.
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This man is clearly already clutching a slightly lumpy, blue-and-white ball to his chest.
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"If you are unsure of how to use this, I could help you. And also, my name is Homura Akemi. What is yours?"
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sorry for the late!
sorry for the lateness!
Re: sorry for the late!
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Wakka, if he knew the term, would consider himself to be a Luddite.
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<3!
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"Maybe you can do it for me. I'm lookin' for a blitzball."
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"I don't know what that looks like. I'll flip through and you tell me when to stop."
And flip through she does.
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"It's round and it's got blades all round the sides, ya," said Wakka. "It's called the World Champion, ya."
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If they were going to be working together, they might as well get the formalities out of the way. There was a moment's pause before he offered up his own name. "Hei."